In the course of doing the previous entry, I stumbled on a surprising realization — that the first tentative seeds of each new vision are generated a full cycle before they take shape as a distinct entity. This has undercut some of my long-held assumptions about the dynamics of countercultural periods, but it promises to replace them with a subtler and more fruitful paradigm.

When I initially developed my ideas about the cycle of visions, I assumed that the central narrative of every counterculture involved the loss of faith in a dominant partnership and the coalescing of opposition around the next vision in the sequence. I derived this template from the 1960′s, which I perceived as a heroic struggle by the forces of chaos against the increasingly repressive tendencies of scientific-materialism-and-democracy.

That remained my working model when I started this blog. I soon added an additional level of complexity, however, as I concluded that the explosive burst of cultural energy which marks the onset of every counterculture must be a by-product of the liberation of the countercultural vision from the influence of the dominant partnership and its realignment towards the vision one junior to itself.

In this revised model, I identified the foundations of the 60′s counterculture as having been established between about 1958 and 1962, when a few visionary writers and musicians began to associate chaos with holism rather than scientific materialism. This new way of thinking then swept through the culture at large when the dominant partnership was discredited in 1964-65.

I still believed, however, that holism had played a merely catalytic role and that chaos had provided the energy source for the counterculture and had produced its most radical new ideas, some of which coalesced as the creative imagination vision when chaos narrowed down in the 1970′s and became more conventional

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At the end of the previous entry, I promised that this one would carry the story along by discussing the flowering of holism in the early 20th century. I soon realized, however, that I’d missed an important step in the development of the association between horizontalism and creative imagination — so I need to backtrack and deal with that before I move on.

When creative imagination started hanging out with horizontalism in the 1970′s, the relationship initially took shape within the terms of multiculturalism, and its chief exponents were neo-pagans and chaos magicians. But in recent years, the same association has been most apparent in the context of direct democracy, and its leading devotees are now computer hackers and self-professed pirates.

That may seem like a natural progression when viewed from the perspective of creative imagination — especially since there has always been a significant overlap between magicians and hackers — but from the viewpoint of horizontalism, the underlying dynamic is far more complex.

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As I’ve been tracing out the history of the chaos vision, I’ve come to a number of conclusions which affect my understanding of the development of the visions in general. Most strikingly, I’ve started realizing that the interactions among visions — which I’ve compared in the past to a Rube Goldberg device because of their seemingly chaotic nature — actually function with the precision and regularity of clockwork.

This comes as a surprise to me — but it probably shouldn’t. Rube Goldberg devices, after all, achieve the illusion of an effortless cascade of random impacts only through an exacting adjustment of angles and timing.

It does mean, however, that instead of viewing each individual vision as being bound from the start upon its own relatively fixed course, I’m going to have to reconceive of the entire system of visions as a single, elaborate piece of machinery whose evolution is subject to constant modification through the ongoing interactions of its parts.

That’s a challenge — so perhaps the best way to start is by pausing, taking stock, and devoting the next several entries to chronicling the various relationships that each vision experiences in the course of its lifetime.

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I found the previous entry hard to pull together but I couldn’t put my finger on why, so I went ahead and posted it, even though it felt somehow incomplete. But over the new few days, I realized the problem was that I’d been laying out two separate dichotomies — higher knowledge vs. institutionalized knowledge and liberal vs. conservative values — without quite realizing they weren’t the same thing.

At that point, I decided to clarify my own understanding by listing current political factions and the relationships among them. To my surprise, the rough framework that resulted looked like nothing so much as a simplified version of the alignments system of Advanced Dungeons & Dragons.

In its classic form, the AD&D system is based on two intersecting polarities — good vs. evil and lawful vs. chaotic — with various shades of neutral in between. Liberals, for example, might be defined as lawful good. They’re “good” because they care deeply about altruism and justice and “lawful” because they see government as the most effective means of implementing those values.

Anarchists, on the other hand, could appropriately be described as chaotic good. They’re dedicated to much the same values as liberals, but they regard the institutions of government as an impediment to achieving them. As a result, even though liberals and anarchists have many issues in common, they differ substantially in methods, ultimate goals, and personal style.

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Years ago, before I had a blog or even a website, I used to collect my stray thoughts and possible story ideas in an old-fashioned school notebook. One day it struck me that if sexism means discrimination based on sex, and ageism means discrimination based on age, then real-ism ought to mean discrimination based on degree of reality.

So I jotted down a few sentences about a world in which mythological creatures are the targets of prejudice and segregation — although some that are less fantastic in appearance might manage to “pass” as real. The politically correct, of course, would insist that all such beings were merely “differently realized.” And the excluded themselves would finally stand up for their rights and insist, “I’m exactly as real as I need to be!”

It never seemed to be more than a whimsy, though, so I left it at that and moved on. But recently, I’ve been getting a sense that other people have had the same thought — and perhaps took it more seriously than I did.

A few weeks ago, one of my favorite websites, The Daily Grail, commemorated the recent death of venerable British occultist Kenneth Grant by linking to a review of one of his books written in 2002 by graphic novelist and chaos magician Alan Moore.

Moore begins the review cautiously enough, with a general discussion of Grant’s life and the “onslaught of compulsive weirdness” in his work, before tackling the vexing question of whether Against the Light should be taken as a novel masquerading as autobiography or a particularly deranged piece of non-fiction:

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I’ve been trying to figure out why the idea of a flourishing human community in the Middle East some 125,000-80,000 years ago strikes me as such a big deal. And I’ve realized that it has to do with the emerging multiculturalism and creative imagination visions that I’ve been discussing in recent entries.

When I studied archaeology in college in the middle 60′s, Eurocentric attitudes were still taken for granted, and it was assumed almost without question that modern humans had evolved in Europe from Neanderthals some 40,000 years ago and had set out from there to conquer the world.

The only alternative theory — based on the new technique of carbon-14 dating — was that the point of origin might lie in Israel, where skeletons had been found that were too old to date using C14 and which must therefore go back more than 45,000 years. But even that argument was accompanied by a disclaimer that those early Middle Easterners had still been using the same Middle Paleolithic tools as their Neanderthal neighbors and didn’t arrive at the full glory of Upper Paleolithic culture until they reached Europe.

Along with this tendency to put western Europe at the center of the human story went an unfailingly contemptuous attitude towards the rest of the world. Grahame Clarke’s World Prehistory (1961), which was our chief text for the course, states without hesitation that “The Advanced Palaeolithic cultures … were confined to the more northerly parts of the Old World. … Most of Africa, India and southeast Asia were henceforward by-passed by the main currents of creative change throughout the remainder of prehistoric times.”

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The story I’ve been telling for the past year is almost up to the present day, and I’m starting to think longingly of getting back to the Paleolithic. But there are still a few points left to cover.

There’s not a lot to be said about the period from 1993 to 2008. I see those years as equivalent to 1950-63, when the science-and-democracy partnership was at its peak of unchallenged dominance and chaos and holism were developing slowly at the margins.

In much the same way, democracy-and-chaos has been in the driver’s seat until just recently. The Clinton years brought us an emphasis on the touchy-feeliness of the domesticated chaos vision. The Bush years featured a late-stage, repressive, we-had-to-destroy-the-village-in-order-to-save-it obsession with democracy.

But the financial meltdown of 2008-2009 has brought the democracy-and-chaos partnership to a state of collapse. Democracy has become a hollow shell, and chaos is floundering without the steady hand of democracy to channel its hyper-individualism. Only the Tea Partiers, who pride themselves on their contempt for both government and the common good, appear to be fully in touch with the moment.

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A few months ago, I wrote about how each dominant partnership gives rise to a philosophy that attempts to explain all aspects of existence in terms derived from its two member visions.

In that entry, I focused on the philosophy of science-and-democracy, whose core belief was that everything in existence could be reduced to simple universal laws like those of physics, and I identified Isaac Asimov’s Foundation stories as an epitomal early example.

I also suggested in passing that the philosophy of democracy-and-chaos, which arose in the 1980′s, was structured around a belief that “the democratic model of dynamic interactions among different interest groups” provided a better basis for understanding the universe than the mathematical formulas of science.

Since then, however, I’ve realized that I was mistaken — if only because any model based on “dynamic interactions” has to be an aspect of multiculturalism. The actual philosophy of democracy-and-chaos is both simpler and broader, and the best way I know to explain it starts with the Foundation stories.

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The closer I get to the present, the more difficult it is to make out exactly what’s been going on with the visions — and I’m finding creative imagination particularly challenging. This is partly because it’s still in its proto-stage, overshadowed by holism and multiculturalism, and has yet to take on a fully distinctive form.

But even the initial crystallization of creative imagination remains obscure. I’ve pegged it as falling around 1978-81, because I see those years as being equivalent to 1936-39, when multiculturalism emerged, but I haven’t been able to come up with any literary or artistic examples from that time. My suspicion is that visions based on inner experience, being the most esoteric, take longer than social or scientific visions to make a significant public impact.

I do see clear signs of a shift reflected in Alexei’s and my own work. In the late summer of 1979, as we were embarking on the final version of The World Beyond the Hill, Alexei wrote an introductory chapter that pulled together much of what we had been attempting to say since the early 70′s. It was so full of strange new ideas, however, that we soon realized it didn’t fit into our history of science fiction. We wound up detaching it from the book and submitting it separately for publication under the title “Science Fiction and the Dimension of Myth.”

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Every vision encounters a pivotal moment early in its development when it helps midwife the birth of the vision immediately following it and in the process becomes able to shake off the influence of earlier visions and discover its own true shape and purpose.

For holism, that moment came between about 1936 and 1939. Multiculturalism was born in those years as an extension of the holistic understanding of the natural world to human society, and in return it provided holism with the means to move beyond its original philosophical and scientific roots and become a complete vision of existence.

The proto-holism of the 1920′s and early 30′s was deeply concerned with abstract questions of matter, life, and mind, but it didn’t have much relevance to everyday life. It took the social ideals of multiculturalism to reinvent a holism that did not merely dream of getting back to nature but was ready to provide blueprints for how human beings might live in a more organic relationship to one another and to their environment.

That unsuccessful Frank Lloyd Wright project of 1939, in which seven unique houses were related organically to each other and to a central farming area, was one such blueprint. But there have been others since — all of them showing a strong family resemblance — as holism and multiculturalism have continued to develop and mature together.

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