In the course of doing the previous entry, I stumbled on a surprising realization — that the first tentative seeds of each new vision are generated a full cycle before they take shape as a distinct entity. This has undercut some of my long-held assumptions about the dynamics of countercultural periods, but it promises to replace them with a subtler and more fruitful paradigm.
When I initially developed my ideas about the cycle of visions, I assumed that the central narrative of every counterculture involved the loss of faith in a dominant partnership and the coalescing of opposition around the next vision in the sequence. I derived this template from the 1960′s, which I perceived as a heroic struggle by the forces of chaos against the increasingly repressive tendencies of scientific-materialism-and-democracy.
That remained my working model when I started this blog. I soon added an additional level of complexity, however, as I concluded that the explosive burst of cultural energy which marks the onset of every counterculture must be a by-product of the liberation of the countercultural vision from the influence of the dominant partnership and its realignment towards the vision one junior to itself.
In this revised model, I identified the foundations of the 60′s counterculture as having been established between about 1958 and 1962, when a few visionary writers and musicians began to associate chaos with holism rather than scientific materialism. This new way of thinking then swept through the culture at large when the dominant partnership was discredited in 1964-65.
I still believed, however, that holism had played a merely catalytic role and that chaos had provided the energy source for the counterculture and had produced its most radical new ideas, some of which coalesced as the creative imagination vision when chaos narrowed down in the 1970′s and became more conventional